“I am a studio sound engineer, a FOH engineer with DubFx and more artists and a teacher of sound design. I have always worked in my studio with my analog gear or with my laptop while traveling.
When I'm on tour I have to prepare mixes of the recordings from the concert from the night before.
Working with headphones has been very difficult for years because I could never get the right sound.
When my students send me their works I always had to go back to my studio to correct these works.
I always thought the problem was the headphone or the dac or the laptop.
Then a friend recommended SONARWORKS to me.
My life has changed, I finally have the right sound in my headphones and I can get my work or those of my students to finish.
Sonarworks gives me a wonderful mixing experience because it optimizes my headphones to the best.
Congratulations Sonarworks, great job !!!”
“SoundID is useful and has helped me so much in my mixing and mastering process, I recommend it for anyone working in a non perfect listening environment”
“The response correction is flawless. The use of SoundID Reference uplifts the sonic experience while mixing as well as casual listening. Mix translations have never been this easy.”
“Great software to have especially if find yourself mixing in headphones or in a non-treated room often. It definitely helps me produce transparent mixes that sound good in any listening medium.”
“Sonarworks has been life-changing! I can't believe the balance and detail I was previously missing in my reference tracks. It has been an enormous help in better orienting my ears towards what I should aim for in my own mixes. And of course my mixes translate much better now, etc. etc.
The only thing I wonder is whether the "new" HD 650s produced again in Ireland have a different enough sonic profile that it would be worth having different settings compared to the various prior production situations? Individual calibration would solve this of course, but for those of us that can't afford it, maybe this would be helpful.”
